
Amerie... You are killing me. Next level fine. That is all.
-MiKe
mike@theantandmikeshow.com


Stories like this make growing up through the drug and gang polluted era's of the 80's & 90's seem like a dream come true compared to what today's youth are faced with. 16 year old honor student, Derrion Albert, was beaten to death after getting caught in a fight between two rival groups of students who attended or live near Fenger H.S. on the south side of Chicago. What began with a shooting outside of the school, culminated in a fight where 2X4's were used as weapons, and a young man with a bright mind was killed for no reason other than a lack of ambition among so many of today's youths.




Ryan Leslie "You're Not My Girl" Official Video from Ryan Leslie on Vimeo.


















"What got Van Jones fired was they caught him on tape saying that Republicans are assholes. And they call it "news." And Obama didn't say a word in defense of Jones and basically fired him when Glenn Beck told him to. Just like we dropped "end of life counseling" from health care reform because Sarah Palin said it meant "death panels" on her Facebook page.
Crazy evil morons make up things for Obama to do, and he does it.
Same thing with the speech to children this week. If you missed it, the president attempted to merely tell school children to work hard and wash their hands, and Cracker Nation reacted as if he was trying to hire the Black Panthers to hand out grenades in homeroom. Of course, the White House immediately capitulated. "No students will be forced to view the speech," a White House spokesperson assured a panicked nation. Isn't that like admitting that the president might be doing something unseemly? What a bunch of cowards. If the White House had any balls, they'd say, "He's giving a speech on the importance of staying in school, and if you spineless jackasses don't show it to every damn kid in your school we're cutting off your federal education funding tomorrow."
You are sitting back watching T.V. and the next commercial that comes on tells the story of a young entrepreneurial, upwardly mobile couple of best friends who along the road to success in the music business realize their love for each other, despite the fact they are both romantically involved. This feature film isn't starring Jennifer Aniston or Shia Labeouf. It is an ensemble cast that just so happens to feature African-American actors and actresses. The movie is Brown Sugar and the year is 2002. Taye Diggs and Saana Lathan are the chief characters in this romantic comedy that also featured the thespian talents of Mos Def, Boris Kodjo, Nicole Ari Parker and Queen Latifah. This masterfully written screenplay not only told the age-old story of friends-turned lovers, but also deftly revealed the love affair of young black Americans with the cultural explosion that is Hip-Hop. Not only was this movie a fresh take on the romantic comedy, it was a positive display of African-Americans in the new millennium landscape.
top big budget film prominently centered around an adult black male dressed in drag as a stereotypical grandmother. Gone are the days where we had multiple black films in the movie theater at the same time. Gone are the days of vivid and poignant portrayals of inner city life such as Menace II Society and clever and witty depictions of love and career in classics such as Boomerang. Now it seems that the Black Movie has lost its stance in the American market place, unless it has the Tyler Perry stamp on the film reel. I am not discrediting the work of Perry and the place that his films hold in the history and legacy of Black filmmaking, but the void in black films is painfully apparent when the marketplace has been reduced to merely a quarterly dose of Madea. Spike Lee, The Hughes Brothers, Malcolm Lee, Hype Williams, Rick Famuyiwa and the list goes on and on. These Black screen writers, directors and producers have injected popular thought, pride and entertainment into the theaters and homes of America through their timeless films and my only question is why has the production ceased?






When hip-hop took the world by storm in the late 70's, it was quickly a male dominated art form. However, in the 80's, female rappers began to interject themselves in a way that commanded respect, not just by their male counterparts, but by fans all around the world. Starting with Roxanne Shante, and progressing with Mc Lyte, Queen Latifah, and Salt 'N Pepa. During the 90's, artists like Da Brat, Lil' Kim & Foxy Brown continued the trend of women who could easily stand up lyrically to any male in the game.
The rap game has regressed for women, not just in support from labels and fans, but also in talent. We've gone from "Lyte as a Rock" and "U.N.I.T.Y." to women trying their hardest to rap like men, instead of just being themselves. Because of this female mc's have lost the one thing they could always count on, the support of female consumers.

